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Virtual Book Launch & Reading Is a Go!

We’d like to invite you to join us on Monday, July 20 at 7PM, for a short, digital reading and book launch for Yousef Allouzi and Samuel Snoek-Brown! Both authors will read from and answers questions about their newly published chapbooks, which are launching the same day!

REGISTER  FOR THE EVENT (registration is required!) by emailing bluecactuspress@gmail.com.

The Bedouin by Yousef Allouzi and There Are No False Alarms by Samuel Snoek-Brown will publish in tandem as part of the Blue Cactus Press Chapbook Series, which pairs emerging writers with an established author who mentors them through the publishing experience. Find out more about the chapbooks (and pre-order your copy) here. 

During the launch event, the authors will read from their work, answer questions about the publishing process, and dive into the ins and outs of their creative work for audience members. Please join us in celebration and support of these two, phenomenal authors!

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Learning From My Garden in Four Colors


Learning From My Garden in Four Colors

An essay by Tamiko Nimura

Green

Mid-March 2020, Washington state. Too anxious to even buy seeds. Too soon to plant seeds outside. I remember what I’d started a few years ago: my desktop garden. The ends of romaine heads, the tops of carrots, the bottoms of baby bok choy. Soon I’ve got trays of vegetable scraps on my work desk.

Daughter and granddaughter of immigrants, I begin to “upcycle” (hoard) the plastic clamshell containers for strawberries, the aluminum trays and clear covers that came with our takeout dinners.

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Cover Reveal: The Art of Naming My Pain

We can’t keep Kellie Richardson’s book cover under wraps any longer! It’s too good to keep to ourselves, and the story behind it – and behind Kellie’s creative work in collage – is worth sharing. So, let us introduce you to The Art of Naming My Pain, a collection of prose, poetry and collage by Kellie Richardson.

The cover of is based on one of Richardson’s collage pieces, “Listen,” created in 2019 with acrylic, tissue paper and found items on canvas.

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